Monkeys, Maseratis, and Trans-Continental Crisis Management

Soaking in a steamy hot-spring, monkey-filled or otherwise, in the mountains of snowy Hokkaido would be pretty baller right now. Unfortunately, although I do live, for better and for worse, in the snow-encrusted northern mountains, where the winter is 6 months too long and about 30 degrees too cold, we don’t have any of those perks that make you think, this really isn’t so bad.

The really bad part is that, not only do you end up suffering from acute February-Blues, but come March (assuming you survive until then), you feel foolishly hopeful that the “end” is in sight. And then the blizzards set in, and you are faced with the bleak onset of nihilism, that dark moment of enlightenment, when you understand that it will never end. It is winter, forever.

That is why I, lest my roommates should come home one day to find me buried out under the back deck, do my best to escape to some marginally warmer and redeemingly more interesting part of the world. Thus, tomorrow afternoon I will be catching a flight out to Seattle, WA, to spend some time visiting friends, thawing out, and taking a break from 8′ snow-banks and frostbite.

It may not be Okinawa, but 45 degrees and rain sounds like the Virgin Islands compared to playing Ice-Climbers in real life. It sounds like a cool city, as well, and given that they were apparently the first to successfully impale a UFO, must be forward-thinking and strategic people with a tendency to accept foreign cultures.

After an uninspired couple of months, I’m looking forward to taking a bit of a vacation from reality while I’m out west, so a lot of my projects will be put on hold until I return in early April, while I party my way through my quarter-life-crisis in the hopes of returning refreshed, restored, and rejuvenated.

Ironically, in an attempt to not let Secret Garden become so inactive that it gets evicted from the internet or something, things will probably be more frequently updated while I’m away than they have been while I’ve been lazing around picking out fancy sports cars I can’t afford and don’t want, but that my trophy wife thinks I need in order to express the suffering that comes with old age and— what I mean to say is that posts will be appearing on SG every Saturday at 7:07 AM EST. Comments, emails, and @mentions will be moderated and responded to when I return in April, so if you don’t see your comment up right away, fear not- I did not send it to the spam folder. Yet.

Incidentally, the day that I get back to the east coast will also mark my 2nd anniversary on WordPress. I’ll admit, the reason I haven’t been posting lately has less to do with picking out Maseratis, and more to do with the fact that I feel like I’m not able to properly express a lot of what I think and perceive about Visual Kei on Secret Garden with things the way they are.  I’ve been turning over a lot of ideas in my head for ways to expand and change things, so we’ll see what happens.

Although I’ve enjoyed working on Secret Garden with things like this for the past few years, I think I expressed in past posts that I’m plagued by a chronic obsession with self-improvement and development, and I feel like I can always be doing better and working to improve things. This will be my mission when I return to the east coast. But in the meantime, I would like to expand a little right now and open a poll to Visualists to ask you, for the first time, what brings you to Secret Garden for the 1st, or the however-many-returns visit. Leave a vote, and if you have any feedback, insights, thoughts, suggestions, or remarks, comment below.

P.S.

What do you think?

Tadaima

It is with an intense sense of relief that I am sitting here typing this. The past three or four months have been, easily, the most hectic time of my life so far. I realize this is merely the problem of having a productive life on earth, and fully expect it to get busier as the days, months, years go by. I will accept that challenge when it arises, but for now, this time was intense enough to satisfy the morbid cravings of the last shredded remains of any over-achiever in me.

The reason that I’ve been away from blogging for so long is primarily thanks to my being committed pretty heavily to my job. Working 10+ hour days, 6 days a week while scavenging a life outside of work can start to add up fast, and during the past 5 or 6 weeks, I felt distinctly as though I was running on the final scrapings of the last reserves of my energy, and physically, all I wanted was sleep, all the time. The only thing that kept me going was the thought, I cannot lose to this.

I have a general interest in personal growth and, since my introduction to Japanese social philosophies, an avid obsession with “becoming stronger”. I feel as though this almost-academically-observational sense of perspective of my own experience, as well as that of others’, affords me a certain unsympathetic awareness of my innate human weaknesses and an ability to overcome them.

As most of my more melodramatically tragic habits are, I believe I picked this tendency up from GACKT. I thought often of the stories of him literally working until he collapsed, fell ill, etc. While these instances are examples of pushing extremes unhealthily far, the core value demonstrated within them has inspired me greatly, and I’ve carried the base sentiment in the not-so-back of my mind through this intense and hectic period.

“Only those who will risk going too far can possibly find out how far one can go.”
-T.S. Elliot

When natural energy became replaced by caffeine, pain-killers and pure willpower, I got to the point where every day my body was telling me no, while my mind continued to say yes. In the beginning, it was a struggle to make it through the craziness of each day, and in many ways, it only got harder as the weeks went by. But also, like moving through physical pain barriers and the struggles of physical improvement, after a while I could really begin to gauge the progress of my spirit, and how much my capacity to deal with the crazy experience had increased from Day One. Of course, it’s not enough to acknowledge that you’ve grown – from the place of flexing new muscles you didn’t really believe you were building, the desire to become stronger only increases.

I think there’s something really interesting in physically, knowing that you need to stop, and yet mentally, wanting to know how much farther you can take it. In my life, at least, that’s at the root of self-improvement.

Since we’re in the last week of the year, I’ve been considering the hurdles I’ve faced in 2010, and appraising the resolutions I made, and whether or not I was able to achieve them. At the beginning of the year, I wanted to change a lot of things, and part of that was a resounding desire to overcome the things I was afraid of, to be able to overcome the things within my mind that held me back. I wanted to live my life to the fullest that I possibly could — and not in that wishy-washy greeting-card canned response way; I wanted that sincerely. This is very un-zen, and I’ll own that, but I believe at least part of figuring out how to live life fully, is to increase the velocity of your experience as much as you can. Although this isn’t really “living life to the fullest” at all, filling each moment with something and never letting yourself stop, but constantly continuing to add more to your experience is one way of feeling like you’re living life fully, and as a result, discovering, hopefully, what that desire really means.

But as you’re racing along, charging through life, trying to make the most of it, live it to the fullest that you possibly can, at a certain point it seems like it’s entirely too possible to get too lost in the moment, to forget where you’re going, who you are, what you’re working toward and why. The velocity and intensity of experience, any experience, can just completely overwhelm a person’s being, their sense of self.

When you run out of energy, and you feel like you have no strength left to muster, I think everyone has to reach a place where they can acknowledge that there is something feeding their determination. That their “sense of self” is, in fact, rooted firmly somewhere. And the more you get stretched out, the more you drag yourself along independent of that origin, that source, the more you end up on the waning tide.

Drained, exhausted, those last fragments of energy completely sucked dry, feeling sorry for ourselves, the animal need for rest, sleep, rest sleep, overpowering our vision, making us forget who we are and why we do any of it. We forget how we were even able to do any of it.

This is when you realize what your source is. You find that thing that rejuvenates you, restores your strength, reminds you what you’re fighting for. None of it is empty challenge and reaction. For some people, I’m sure that thing that gives you back the will to continue is other people, material pleasures, whatever. For everyone, it’s different. The only thing that is the same is that we all have it, and inevitably, when we’re running on that last store of energy, we return to it. Sometimes we don’t even really know what it is until we’re at the point of total breakdown and suddenly it shows itself to us.

But I believe that whether you know it or not, when you’re there at the point of collapse, some instinct or inspirational nudge leads us back to that source place. Without interrupting the flow of what we’re doing, without taking any steps back, without requiring anything other than a sudden burst of awareness, we tune into that one thing that reminds us, blindingly, of who we are and what defines us, what gives us strength and the will to fight.

Finally, yesterday I had a detestable moment of weakness. Woke up with a pretty lousy cold, and although my now well-trained mind kept telling me to get up and go to work, to push through it, my body was screaming a pretty strong no. My ravaged immune system needs a break, so I’m giving in. Drained, exhausted, feeling sorry for myself, I instinctively turned to something that my being craved more than sleep: music.

Sitting around in the dark, WHAT’S MY NAME playing through at full volume, it was like I was hearing Jrock for the first time all over again. It was like I was hearing music for the first time all over again. All the wiring in my blasted zombie brain seemed to fuse back together again. I was able to remember something I knew all along, but somehow had completely lost track of: Visual Kei and Jrock are that source place I return to when I’m at the point of collapse. Visual Kei and Jrock are what define me, what give me strength and the will to fight. They are what give me the obsession with accepting challenges, and they are what lend me the strength needed to overcome the weaknesses that arise when I am teetering on the point of collapse. It’s this sense of unwavering courage that happens when I’m led to GACKT or MIYAVI‘s music at the right moment that is something I wish I could express in words when I am asked why I am a Visualist.

++

I find that when I don’t write on Secret Garden for an extended time, when I log into my Dashboard, I always experience this strange paradox of both feeling like a complete stranger, and at the same time, like I’ve finally made it back home.

Tadaima.

Nyappy No More?

I find it pretty depressing, the fact that I can skim through my RSS menu and see a steady stream of “I’m sorry, I promise I still exist…I’m just locked in a closet siphoning off the leakage of my brain, which has been thoroughly nuked by the 9-5 and can no longer process basic functional commands such as eat/sleep/speak, let alone blog.”

As far as I’m concerned, blogging is a basic function. But as I have successfully sacrificed the precious luxury of more than 5 hours of sleep each night, I figure the lack of blog action is, thus, if not excused then at least explained. To my credit, October was an insane month. My personal life waged war on me like a bloody Spartan, and this week I am crawling out of the battlefield, nothing less than ravaged.

I admit there’s a certain sense of awkwardness in getting back into the flow of Visualism after being absent for a while. However, I’m interested by a lot of stuff I’ve seen show up on radar of late, which should inspire the onset of more frequent posting? Who can say.

Visual Kei is an industry – and like all industries, major shifts tend to occur at seasonal turn-overs. Each seasonal annex typically sees a new wave of trends, styles, and a great deluge of releases and tour announcements. Band looks change. Their sound alters, album covers begin to reflect the shimmery tinsel of winter, and so on and so forth.
After this arctic waste’s first snow flurry this week, it has hit home that, inevitably, the last tatters of autumn are fading into winter. We have reached another shift (so fast?), and with the snow, it would seem, already a new wave of noteworthy events and releases are surfacing in Visual Kei.

But before we get too carried away, I think I’ll take this opportunity to backtrack slightly to late September. I have been asked numerous times lately for my thoughts on a certain, somewhat controversial, turn of tides, and we should probably just get this on the table.

Lc5, the new artistic venture of Oshare-Kei AnCafe‘s vocalist miku (front center), is something of a touchy subject due to the fact that its advent followed closely on the heels of the much-respected AnCafe announcing their indefinite hiatus.

Not only that, but it’s not just miku starting a new un-needed oshare kei band following basically the same chord progressions with half the same members and a different name. I would put money on there being some fangirls who are having kittens right now because their favorite ryuusei rocket is actually branching out.

Now, let’s get one thing straight right off the bat. I wouldn’t touch the oshare scene with a twenty-foot pole. There’s nothing inherently wrong with it, I just totally can’t jive with it. Although I’m familiar with most of AnCafe‘s work (know your enemies), I have to say that it’s been years since I rejected yet another teary-eyed fangirl trying to cry on my shoulder over Bou leaving the band, or cared enough to do any follow-through on the remaining members’ activities. However, when it comes to well-known bands up and going on hiatus and their angsty frontmen starting up rebellious, aloof classical-Visual Kei groups on the side, I guess even I’m enough of a drama whore to get wise to that scene.

You all can get wise to it, too, by checking out Lc5‘s debut PV for their single Loveless.

For one, Lc5 answers the ever-irritating question as to whether or not they actually sing like they have a head-cold naturally, or whether it’s affected. I did always  find it hard to believe that 1 out of 3 Japanese men perpetually sing through a stuffy nose; it just seems like it would make scheduling a major bother. miku seems to have recovered from his cold, as he has shed some of the nasal overtones he used to excess in AnCafe, and his vocals, while somewhat less striking, are, in my personal opinion, so much better off for it. The vocals are, I think, slightly underplayed and a little too lightly produced to really catch my attention. The vocal melody in Loveless is pretty good, though, which makes up (somewhat) for this slight discrepancy. Under-produced vocals are a serious pet-peeve of mine, and honestly I assumed miku would be egotistical enough to play it up a bit. All whining aside, miku does have a pretty unique voice, and it’s one of the virtues Lc5 should be working.

Single cover

It’s a relief to see that miku has actually shifted to the dark side of Visual Kei, moving away from his gaudy oshare roots and imbibing in some class. His look has matured, he dyed his hair, borrowed a wardrobe from GACKT, the works. Initially I had some concerns that he would deliver yet another unnecessarily peppy pop troupe and blow us all away with a profound leap into reiteration of mediocrity.

Although the title is less than innovative, and the song isn’t exactly the next best thing since Death Point, Loveless is definitely worth listening to, and I would absolutely recommend the single to AnCafe fans and haters others alike. All in all, although it is not epilepsy-inducing in its amazingness, my expectations for Lc5 were definitely surpassed. I look forward to seeing how miku takes his solo career forward, and I think that the group has potential to bring a breath of fresh air into the realm of uppity new rockers. miku has been successful in the Visual Kei/Oshare industry for a few years now, so hopefully he’s bored enough with what he’s been doing to actually put some creativity into his work. I will be anticipating future releases…maybe an album? Nah, let’s not get ahead of ourselves.

Come to the dark side....we have miku.

Get ready for gladiator sandals, The Perm, and the Satoshi-boogie…

I hope they leave the gladiator sandals at home.

I admit, I’ve entered a sort of state of denial about the lack of orange-highlighted dates on my sidebar calendar.

I like to flatter myself and primp my shameless vanity by assuming that lulls in the activity of Secret Garden are duly noted out there. Although I’m daily shelving a hankering to be on here spewing my snotty opinions about the noxious new releases of Jrock Today, likely setting out on the road to becoming some kind of embittered critic, while squirreling away my secret adoration of the more Kpoppian ventures of girugamesh, I hope to be able to post more regularly again eventually. In the meantime, I will continue to ask for your patience.

I notice that I’m not the only one who has been lagging in their post count lately, though. In fact, most of the blogs I read regularly (you know who you are) seem to be kind of slow these days. I remember those sweet, sweet, broke days of living on a whim and blogging sun-up to sun-down without a care in the world other than being totally cash-strapped. But remember this, kids, make good use of your blissful free time and become magnanimous forerunners of the future before the shackles of the 9-5 routine enslave you and stunt your entrepreneurial developments. What these other slaves to the system tell us is partly true, you get used to it, but that doesn’t mean it doesn’t stop being  frustrating. Ah, who am I kidding. The life of rampant hedonism is obviously the one for me. I’ll start a terrible Visual Kei band and do nothing but wine, women, and sleep, all in varying degrees of debauchery.

Now that we have my future sorted out, shall I spend the next thirty minutes of our time (so precious, according to the previous paragraphs) talking about something else equally inane and patronizing while I try and remember what I started this post to talk about? Nah, just kidding, I’m not that depraved yet.

This news apparently popped up over the weekend (proof that the world continues spinning even when I’m out of the loop. How dare they.), and although I admit it’s taking some time to sink in to the remains of my mushy brain, melted to the consistency of chunky 3-day-old applesauce zombifying slowly on the kitchen counter by too little sleep and too much caffeine too many days in a row, I’m pretty pumped to be able to announce this at last.

girugamesh WORLD TOUR Confirmed!!

2011.3.05 Tochka
Moscow, Russia

2011.3.06 GlavClub
St.Petersburg, Russia

2011.3.08 Nosturi
Helsinki, Finland

2011.3.11 Columbia Club
Berlin, Germany

2011.3.12 Diesel
Budapest, Hungary

2011.3.13 Backstage
Munich, Germany

2011.3.15 La Laiterie
Strassbourg, France

2011.3.16 TBA
Paris, France

2011.3.18 O2 Acedemy Islington
London, UK

2011.3.19 Zeche
Bochum, Germany

The band has apparently taken a leaf out of D’espa‘s book and is reaching out to fans for suggestions regarding their, y’know, tracklist for the tour. Hurry–together we can make a stand against having to ruin our current record by accidentally hearing Color live…

All snark sheathed for the time being, this is actually news that, once it fully establishes itself in my gelatin-filled skull, is worth getting psyched over. They are one of the bands that I would really stretch to see…and although Europe is a bit too much of a stretch (especially at risk of showing up to a disco-ball and Satoshi’s shuffle-boogie), ShuU started rumors on their official Facebook that more information (cough dates and locations cough?) is to follow. Holla, US? I think we’re ready for Color.

Not only that, but they have also announced a brand new album. The question I want you to answer, Visualists, is that of whether the album actually still runs a chance of stirring some response by returning to their raucous roots, or striking a new chord by actually going out on the limb of innovation and, god forbid, inspired creativity. This positive anticipation of giru‘s actions (recently so disturbing) is edged, we all know, by the woolen itch of doubt; the fear that it could really be rock-bottom. The maker or breaker. Takers?

 

The Announcement You’ve All Been Waiting For

Di$tress + C0mA: Infected by Japanese Visual Kei

 

 

I know a few of you have been around for a while now (and I’m still happy to have you, rest assured), and some of the really good ‘uns will probably remember my mentioning a particular anime con that has been honored by my attendance several years in a row. Although I keep saying I won’t go back, and have little to no active interest in anime, I keep going back, utterly unable to resist the gravitational pull of the organized culmination of Japanese pop culture and its cult following.

This year will also mark my first step outside the blogsphere representing Secret Garden. You guessed it (or, I don’t know, maybe you haven’t), I have been granted the honor of appearing at the con as the first Visual Kei/Jrock panelist since circa ’07.

I’m pretty psyched to have this opportunity, and I’m looking forward to working with the con as a presenter, thus being able to expand the world’s awareness of Visual Kei, one step at a time.

Di$tress + C0mA: Infected by Japanese Visual Kei
Presented by gacktpause

Friday, Oct. 22, 5:00 PM EST
Panel Room 2

BakuretsuCon 2010 Oct. 21-24
Colchester, VT

Say you saw it on Secret Garden.