Get ready for gladiator sandals, The Perm, and the Satoshi-boogie…

I hope they leave the gladiator sandals at home.

I admit, I’ve entered a sort of state of denial about the lack of orange-highlighted dates on my sidebar calendar.

I like to flatter myself and primp my shameless vanity by assuming that lulls in the activity of Secret Garden are duly noted out there. Although I’m daily shelving a hankering to be on here spewing my snotty opinions about the noxious new releases of Jrock Today, likely setting out on the road to becoming some kind of embittered critic, while squirreling away my secret adoration of the more Kpoppian ventures of girugamesh, I hope to be able to post more regularly again eventually. In the meantime, I will continue to ask for your patience.

I notice that I’m not the only one who has been lagging in their post count lately, though. In fact, most of the blogs I read regularly (you know who you are) seem to be kind of slow these days. I remember those sweet, sweet, broke days of living on a whim and blogging sun-up to sun-down without a care in the world other than being totally cash-strapped. But remember this, kids, make good use of your blissful free time and become magnanimous forerunners of the future before the shackles of the 9-5 routine enslave you and stunt your entrepreneurial developments. What these other slaves to the system tell us is partly true, you get used to it, but that doesn’t mean it doesn’t stop being  frustrating. Ah, who am I kidding. The life of rampant hedonism is obviously the one for me. I’ll start a terrible Visual Kei band and do nothing but wine, women, and sleep, all in varying degrees of debauchery.

Now that we have my future sorted out, shall I spend the next thirty minutes of our time (so precious, according to the previous paragraphs) talking about something else equally inane and patronizing while I try and remember what I started this post to talk about? Nah, just kidding, I’m not that depraved yet.

This news apparently popped up over the weekend (proof that the world continues spinning even when I’m out of the loop. How dare they.), and although I admit it’s taking some time to sink in to the remains of my mushy brain, melted to the consistency of chunky 3-day-old applesauce zombifying slowly on the kitchen counter by too little sleep and too much caffeine too many days in a row, I’m pretty pumped to be able to announce this at last.

girugamesh WORLD TOUR Confirmed!!

2011.3.05 Tochka
Moscow, Russia

2011.3.06 GlavClub
St.Petersburg, Russia

2011.3.08 Nosturi
Helsinki, Finland

2011.3.11 Columbia Club
Berlin, Germany

2011.3.12 Diesel
Budapest, Hungary

2011.3.13 Backstage
Munich, Germany

2011.3.15 La Laiterie
Strassbourg, France

2011.3.16 TBA
Paris, France

2011.3.18 O2 Acedemy Islington
London, UK

2011.3.19 Zeche
Bochum, Germany

The band has apparently taken a leaf out of D’espa‘s book and is reaching out to fans for suggestions regarding their, y’know, tracklist for the tour. Hurry–together we can make a stand against having to ruin our current record by accidentally hearing Color live…

All snark sheathed for the time being, this is actually news that, once it fully establishes itself in my gelatin-filled skull, is worth getting psyched over. They are one of the bands that I would really stretch to see…and although Europe is a bit too much of a stretch (especially at risk of showing up to a disco-ball and Satoshi’s shuffle-boogie), ShuU started rumors on their official Facebook that more information (cough dates and locations cough?) is to follow. Holla, US? I think we’re ready for Color.

Not only that, but they have also announced a brand new album. The question I want you to answer, Visualists, is that of whether the album actually still runs a chance of stirring some response by returning to their raucous roots, or striking a new chord by actually going out on the limb of innovation and, god forbid, inspired creativity. This positive anticipation of giru‘s actions (recently so disturbing) is edged, we all know, by the woolen itch of doubt; the fear that it could really be rock-bottom. The maker or breaker. Takers?

 

Nightly Knights D Uphold Visual Kei in the name of justice

11.17 in the name of justice / D

Although the transition from indie to major label roused some concern at the time, I’ve been pleasantly surprised to see that D has, so far, pulled through despite being caught in the clutches of Avex. While I’ve had nicer things to say than my critique of their latest ventures into tranny-dom, and their PVs seem to be getting steadily worse, their gory misadventures in ball gowns aside their music has remained unharmed, and their style has stayed compact and focused. They might be confused about the kanji for “women’s formalwear”, but at least they, unlike certain Visual Kei groups we could name, aren’t afraid to keep shredding. Their sound hasn’t lost its edge, and although apparently no one has told them we really don’t care that they can make happy songs too, it’s great to see a Visual Kei group riding their wave so strong, despite the dramatic fluctuations of the industry around them. If in the name of justice can top what they did with 7th Rose and Akaki Hitsuji Yoru ni Bansankai, then we’re good.

Besides, the album artwork is undeniably ill. Glad to see ASAGI has shelved the bustier for the season.

The single will be released on November 17th, in 3 types, including two tracks on the regular edition and three to the limited: in the name of justice, Nightly Knights, Grand Master (type B), Yoru no Me to Ginyushijin (type C) and in the name of justice (voiceless).

Although it’s not their most innovative or memorable piece, and is certainly no 7th Rose, their latest release, Akaki Hitsuji Yoru ni Bansankai has a somewhat better PV, and is a decent track.