Awakening The Rocker Within

Posted in Gackt, Video with tags , , , , , , , , , , , , , , , , , , , , , , , on 07/30/2010 by gacktpause

NEWS FLASH: This just in today! Japanese superstar GACKT (37) invents and instates, via general consensus, a new form of verbal punctuation. Now, replacing the Japanese and English words ‘desu’ and ‘are’, we shall hereby be required by Japanese law to say EVER at the end of every statement and sentence. May also be used as a general exclamation, or as a warning called out after anyone wearing capris.

This PV screams GACKT. It screams GACKT louder than a hysteric fan-girl in the front row. The excessive, unnatural, hard-to-believe-it’s-serious machoness, and insanely awkward acting and lines, which we began encountering early on, and the utterly random moments that are so shockingly powerful, it makes them even more random, all just seethe GACKT.

Long story short, he got it all right with the brand new PV for EVER.

The random (yet undeniably brilliant and meaningful) fragments of storyline in this PV are simplistic, and yet I somehow have a feeling we’re not meant to accept them at face-value. I was really into the shameless self-directed idol-worship, and how his performance awakens the rocker spirit in the boy wearing the YFCz uniform.

The most unbelievable moment of the whole PV is the first scene actually showing the idol himself. When he does that spirit-fingers thing? I mean come on! Everything about his outfit (even the sparkly makeup looked quite cool in the PV), his dance moves, and how he used the hat was really stylish. All I can say about the scope thing that periodically targets him, though, is…Gundam or it didn’t happen.

My only real complaint about the video was…what happened to Chachamaru? Is he camera shy now or something? I’m seeing Tsukasa, SHUN, and some guy with a Perm on bass (Ni~ya from Nightmare again?). I know Chirolyn is scary, but really.

The random ending where the spirit-guide bouncer guy (AKA “GACKT’s Secretary” -insert expletives-) laughs and says “heh…EVER.” was… was…very…let’s just say I bet GACKT thought up that one personally.

Whatever They Say, GACKT, Never Change Your Way

Posted in Album and Singles Reviews, Gackt with tags , , , , , , , , , , , , , , , , , , , , , , , , on 07/29/2010 by gacktpause

After months of emotional struggle, and tedious week after week of avoiding every preview, CM, PV, TV premier and snippet that ever passed through my radar… not to mention just the doubt that the single would ever find its way to me to begin with…yesterday I found the typical ultra-neat brown box on my doorstep. Instead of a bank-account I practically just direct-deposit all of my money straight into CDJapan, so by now I know what these neat brown boxes are. They’re how my birthday happens many times throughout the year.

This package, though, has been highly anticipated since early June, and there was a moment of slack-jawed awe as I gaped at its orderly contents wrapped in green paper. It is here. The waiting for EVER is done.

Not having heard a single preview, and what with the two totally opposite covers for the limited vs. regular editions, I had absolutely no idea what to expect from this single. To be honest, my bar wasn’t set very high. From the cover (granted I think it’s pretty wicked) I was more or less expecting FARAWAY 2. Yes, I know. I hath sinned, and now smite me.

Within the first 3 seconds, with only the first ragged, bouncing drums to go by, my eyebrow was already quirked. Rolicking drum loops, a mean bass lick, and then some kind of rockabilly guitar riffs that wouldn’t have sounded out of place as the chord prog for some 1940′s action movie theme song, set us up for the ride. In the first thirty seconds before GACKT starts singing, I was already rocking out. I was not expecting this at all. Stylistically, I’ve been waiting for this song my whole life.

The construction is basically what we’re familiar with by now, but the chord progressions are fresh, new, and very different. There were a few moments when I thought ‘is he going to do the GACKT thing?’ but the line would either dip or rise up, just skirting familiar ground enough to keep us guessing.

The instrumentation is some of the freshest, most innovative that I think we’ve heard from GACKT in a long time. The 10th Anniversary releases were terrific, don’t get me wrong, but I didn’t really feel this wow factor of, this is new and different and he has never done this before. EVER, though, has some of the funkiest stuff going on I’ve heard in a while — and I have to say, I don’t think I’ve heard a bass line like that since Vanilla.

The vocals are hardcore as well. The song is at once bad-ass and uplifting, and this emotional split is spliced together by GACKT’s foolproof vocals. His singing is as exceptional as expected, and the vocal melody is wicked strong, even, and has an awesome feel. The lyrics are also great…he’s finally not ‘dakishimete’ ing every which way and where (don’t get me wrong, there’s no word more satisfying to give a good Gacktese wail than dakishimete), and the message he input with the English lines is heartfelt and inspirational: Whatever they say, never change your way. However, I did think that how he inserts “EVER” into the chorus felt slightly awkward, and a little bit forced.

If we use wine, tea, or cologne nomenclature, we would discuss the layers of sensual experience in the terms of ‘notes’. So the notes, ranging from ‘base notes’ to ‘top notes’ refer to the experience of taste that unrolls along your palate or the scent that unfolds as oil is warmed by body-heat. This is the only way I can describe the layers of sonic texture that build up the overall groove of EVER. The base-notes set the pace from the get-go with the rolling drums and heavy, funky bass line. The chord-progression is also mixed, because it straddles the line between dark and upbeat. So as the deep, dark, thrashin’ base-note airs off, the scent it fades into is something a tiny bit fruity, with light spices and a hint of summer sun. The variegation of the notes, however, is a flawless, seamless transition that never even ‘happens’.

The awkward b-side, at which I looked and had a ‘huh?’ moment while simultaneously being overjoyed that he re-released a song from Rebirth, is Uncontrol ♂狂喜乱舞♂ [kyoukiranbu- eng: 'dance wildly'] edition.  Since legit GACKT remixes are few and far-between, I was kind of psyched to hear that this is, in fact, a dance remix of Uncontrol. This was also highly unexpected…and extremely well-received. I realize the repetitive drum-track should annoy me, and Uncontrol shouldn’t be making an appearance right now to begin with…but the truth is, it works. It works incredibly well on EVER, because like the titular track, Uncontrol is also one of those songs that confuses you by making you want to maliciously vandalize things…but when you’re in a really upbeat mood.

Overall, I am extremely impressed and pleasantly surprised by EVER– really, the single as a whole. The choice of Uncontrol (remixed, of course) was one very well made, although I was skeptical and slightly disappointed at first not to be getting a fresh b-side. The fact that it’s an annoyingly bad-ass remix makes it just…it just is what it is. EVER really blew me away, and I’m pumped over how creative and new it feels.

GACKT is rocking us as hard as ever…and man, whatever they say, never change your way.

D’espairsRay Adds 2nd NYC Show

Posted in Tours+Concert Information with tags , , , , , , , , , , , on 07/27/2010 by gacktpause

Wow, this whole D’espairsRay world tour thing has really had us all on tenterhooks since they first started hinting at the possibility. It’s amazing to think back to all the anxiety and excitement there was leading up to the official announcement/confirmation. All that wondering if it was really going to happen, and whether or not they would come to a City Near You.

It hasn’t been a wicked easy ride, either. They had to scrounge a bit to get their visas in order, but fortunately some awesome fans from all around the world chipped in to get them all the materials they needed in order to get the big brother’s OK to enter our domain and rock our souls with their gnarly rhythms.

Then, last week they (very) unfortunately canceled the three southern shows, Atlanta, Houston, and Dallas. This jumped the sold-out NYC show at Webster Hall to the finale spot…Until, that is, this morning, when I checked my email only to find…some random spam note from somebody I don’t know. And then I saw the subject, and had to stop for a moment. Oh, I guess D’espairsRay isn’t classifiable as spam.

Due to the swift selling-out of the tickets, and the uproar caused by under 19′s about the 19+ show on the 12th, a 2nd NYC show has been added for Friday, August 13th, at the same venue. Woah. I just realized that’s Friday the Thirteenth…That really jammed my thought-process.

Moving on. Not only that, but the show will be All-Ages. This means they will be satisfying everyone. The youngsters, hardcore fans, and those who missed out on tickets for the first show will all get what they want. And don’t worry, guys, our 19+ show will still be elite.

Tickets are on sale via Ticketweb as of 10 AM today, July 27th. $18 in advance, general-admission, all-ages. Doors are at 6PM and show starts at 7PM, which leaves enough time for the kids to make it home before curfew…and hopefully leaves enough time for me to catch the last train from GCS. Although I’m already going to the August 12th show, I just ordered another set of tickets for the 13th as well. This will be my first time ever attending the same show two nights consecutively… As long as something bad doesn’t happen to me on Friday, it should be killer.

KO’d in Munich, Back in Business in Bochum

Posted in Gackt, Live Reports with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 07/27/2010 by gacktpause

I’ve been insanely busy this past week. It’s amazing how you suddenly start working 40 hours a week, and those few hours you have between getting home and going to bed (trying to make sure you get enough rest to make it through the following day without passing out at your computer…it almost happened last Wednesday.) become fleeting, and extremely precious. Before, it just took will-power to make sure I got things done, now it actually takes skill. Carrying on in this demented, self-absorbed la-la land of trying to make money, get rest, and still have fun, it’s like being in a daze of busyness. Things get seen more as if from out of the corner of your eye than full-on. There are a few things, though, that can rise right up out of your news feed and give you a nice, sobering slap in the face.

GACKT collapsing mid-song and falling off the stage into the arms of crazed fangirls is one of those things.

Friday was the final show in GACKT’s European debut tour. And from what I hear, even after the intense closure to the second-to-last show in Munich, he pulled another GACKT and got up on the stage in Bochum and rocked them just as hard. In fact, in his blog he stated that because he got, shall we say, KO’d in Munich, he rocked harder in Bochum.

Honestly, although this kind of news is painful to hear, I’m not surprised. And after the fact, I don’t think anyone is, really. When the first rumors went around about a European tour this summer, I don’t think I was the only one who thought it wouldn’t happen because “it’s not physically possible”. Between voice-acting projects, the huge process of being part of Nemuri Kyoshirou, releasing EVER, moving to Avex, organizing and touring YFCz around Japan, and everything else that goes with being one of the biggest celebrities in Japan, how could it look like a possibility? Now that I’m thinking about it logically, I’m shaking my head. What was he thinking? How was this, in any way, shape, or form, a good time for him to debut internationally?

There were already reports from the Japan shows of GACKT passing out after the lives. He even went to the hospital at least two or three times in as many weeks. And not to mention, we all know the stories. He discusses openly (psycho is probably proud of it) the fact that he has been known to collapse after shows, and even to be hospitalized with serious conditions such as pneumonia after extended tours. This is different. This is 3 hospitalizations in as many weeks. At the London on the 16th, GACKT was noted to be ‘unsteady on his feet’ at times. But this is different. This is collapsing mid-song and falling off the stage into the crowd of flesh-eating zombies.

I wasn’t at the Munich live when, during the encore, GACKT collapsed and fell off the stage into the crowd, and I didn’t experience what it was like to be standing in the front row when he lost it. Or watching from afar and seeing him suddenly disappear from the stage. However, I did read accounts of both, and some other, perspectives including his, and it’s obvious that it doesn’t matter where you were when it happened, really. I want to address it from a universal stance, anyway. It’s not just disturbing to see it happen – fans all of the world have been worrying for days without having seen anything.

It should be common knowledge by now that GACKT does everything in his power to avoid living only a partial existence. He wants to do everything %150+. This is an incredible quality in a person, and GACKT’s superhuman capacity to do and get done has been a huge source of inspiration for me, and I’m sure for others as well. In fact, it’s entirely because of GACKT that I was even able to realize that I was living my life so shallowly to begin with. If it weren’t for him, I would probably never have stepped it up. It’s because of his philosophy around living fully (or, in his case, to an extreme) that I have been able to work through some intense situations that may have potentially overwhelmed and drowned me.

But even though he has inspired me personally, and again, I’m sure many others as well, by being this type of person, it’s not %150 anymore, it’s %200. He’s moving at a velocity now that we can’t even really comprehend, even from a place of trying to understand the process of celebrity status. And obviously, it’s beginning to effect his health, and as a result, it’s causing a lot of concern among us, the fans.

In his blog post about the show*, he recounted the experience of the whole thing, of losing consciousness 5 or 6 times during the live, and the pain in his legs as he was about to collapse. They were, in his words, “absolutely human legs”. Yes, GACKT, you are a human too.

However, I don’t think he really realizes that. And so much of the time, I don’t think we do either. But now that this has happened, Fans are realizing it, in some way. Unfortunately it’s playing out more or less exactly how you might expect it to. It’s about this that I want to talk right now.

A bunch of fans have gotten together on Facebook recently (I’m not sure which account this is based out of, but if you search GACKT enough you’ll likely come across it) to organize a Facebook Event (of which I highly disapprove in general) based around “supporting GACKT’s health”. The event is to, on the same day, “spam” GACKT’s email account with a standardized block of text that says, to paraphrase, ‘GACKT: shut up, sit down, and rest yo ass or we fangirls gonna cry’.

Now, I want to make it really clear that I think the intention and sentiment behind this “event” is really commendable, and I think we all agree with it. We all want him to rest and regain his health, and we would all like for his strength and longevity to be his priority…But firstly, I really don’t believe anything is solved by spamming anyone with anything. And I really don’t believe flooding his email with these messages is going to help at all– in fact it will probably just result in annoying him on a deep level. Yeah, I’m sorry guys, but I have to say it straight up. I don’t believe hammering “you have a problem, we demand you fix it” into anyone’s head helps in any way. I do believe in focusing on the positive in every situation, and through the drawing of attention to the positive, the negative issues or aspects become diminished by the positive force funneled into the hopeful, helpful direction.

If you want to support GACKT, and you want to give him a message to encourage him to take care of himself, flood his email with messages. Flood it with personalized, individual messages written with sincerity, composed from the concern in your heart. Tell him how amazing his shows were in Europe. Tell him how much you are supporting him, and how many encouraging hopes and wishes you are sending to him with your thoughts. Tell him you are concerned about his health– tell him how much you care about his well-being. Don’t say “You’re going to die if you don’t stop.” Say, “You are the strongest person I ‘know’. I believe in you. You are what encourages and keeps me going when things get tough. Your music keeps me fighting for my dreams…and now, I want to help you keep fighting for yours. I believe in your ability to be strong. You can do this. I believe that this is the beginning of the increase of your strength, stamina, and health. I believe in you.”

Because you do, don’t you?

*To read an English translation of his blog post please check out amaiakuyume’s page. Special thanks go out to her for doing an awesome job making his words available to monolinguals.

Please Take Me YOUR Way, HIroko…

Posted in Album and Singles Reviews with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on 07/25/2010 by gacktpause

Wow, I haven’t done a review in a very long time. I wonder if I still know how to do this.

It’s not that I haven’t heard any decent music, or gotten my hands on any new CDs (well…maybe that is part of it). I think it’s more like, I haven’t really heard anything lately that has given me something to say. I haven’t really listened to anything that has made me think, “Wow.”, or start singing along before even learning the words, or had that quality that when you listen to it makes you feel like you’re living in a PV or movie scene. I hadn’t, that is, until I picked up the first album from the woman I know to be my soulmate: Rampant‘s CHOICE OF LIFE.

Silence opens the album with the eerie wail of sirens which whine their way into the clang of a firebell. The sounds undulated from right ear to left, dizzyingly dark and urbane. The guitar picks up, a grungy chugging riff that leads into more guitar, revving drums, rhythm, bass building it up, up up, churning around, and then the main riff kicks off, headbang-ably catchy. The vocals lift off; HIroko’s smoky alto, that aloof human melody that works effortlessly with the grungy music to enchant for the rest of the album. More or less one of their greatest pieces to date, Silence is overall an epic opener.

Silence fades edgily into Nude, and tinny acoustic strumming. The drums are at the forefront of this track, and rightly so, as they really bring it to life. The bassy, metal drum patterns paired with some tactful death vocals (try not to swoon like I did, guys), and the extremely catchy chorus make this another stand-out song on the album, and a righteous follow-up to Silence.

Try to Alive opens up with the most straight-metal riffs so far. The way that the guitar feels somehow distant and separate from the drum track added multiple dimensions to the piece, and the vocals were really interesting. It was also interesting, because through the verses HIroko is singing in the lower notes of her range, and yet in the chorus she spikes right up into those high notes she hits so beautifully. The slightly awkward spoken vocals in the chorus really added spice to the whole thing and brought everything together. My favorite part of this track was how the elements felt disjointed, and yet still blended into another great track. The gentle break was also awesome, with the finger-picking guitar, and some excellent detailing in HIroko’s ornamentation. The vocals were def the highlight of Try to Alive.

Up next, the titular track, Choice of Life. Strong, edgy opening that drops right into a sparse instrumental backing that highlights each different element interestingly. The instrumental break at about 1:20 was quite unique and awesome, and it sweeps you right into the gloomy chorus for more flying sparks. Slightly more low-key than the preceding tracks, the details are what really make this song awesome. The instrumental accents almost feel Latin-y, although not even, and are really refreshing.

Aqua Hole, another awesome song, slowed things down a bit for a breathy, slow balladic number. More wicked catchy choruses and great instrumentation.

Thirsty cause,Cry pulled my attention back in. The speed-metal guitar and drums and death vocals (from…someone?) brought the energy up again after the slow-paced Aqua Hole. Some really great vocal phrases, catchy lyrics, and the ending instrumental break were my favorite aspects of this one.

All 6 tracks so far have been wicked awesome, don’t get me wrong, but I was ready for Day for Me Day for You when it came. Totally dig the sweet, distant acoustic intro with just a guitar and a cute little vocal melody.

The composition and instrumentation were what I liked most about Take Me Your Way. There are some nice rises and falls, and the guitar solo/instrumental break really stood out, despite being somewhat downplayed. The vocals felt kind of like white-people emo music…but of course, a gorgeous Japanese dame’s take on it.

Track 9, Pain, was another great track. The guitars were especially cool, and the vocals felt like they changed up a bit from the previous few songs. The chorus was kind of raw and unusual.

And, wow, we’re already at the last track? Fighter, the finale, opens with more speed-metal drums and guitars. The soaring, layered chorus was really great, and the verses were so metal- melodic and rowdy. And then…it just sort of ends.

CHOICE OF LIFE is a solid, excellent album with no bad songs. However, my personal favorites were definitely in the first half, with Silence, Nude, Try to Alive, and Choice of Life in the upper rankings. Although each of the later songs had really terrific ‘moments’, they did start to blend together slightly on second listen-through. After a few more listens, though, I have a feeling that the unique personalities of each track will become more apparent as I become, in turn, more familiar with them. I am definitely looking forward to hearing them unfold.

A downplayed, indie sojourn through balladic metal soaring via vocals that would make the broad from Evanescence jealous, and chugging along on chord-progressions that are actually unpredictable, fresh, and at times downright goosebump-raising….Rampant‘s professional production, creative compositions, super strong riffs and ridiculously catchy choruses have you covered from your metal-head moments to your most emo days. I encourage anyone with a mind for metal to make the right choice: CHOICE OF LIFE.

Image: Rampant official myspace

Profile for Rampant on SG.